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And returning director Stephen Sommers deserves points for investing every frame of Returns with genuine enthusiasm. The Mummy Returns moves at a faster clip, is less dour and dark, and each of the cast members is given his or her chance to shine, so that no matter who your favorite character is, there is someone to root for.

Yet if Returns is nothing new, it does impressively refine everything that worked in the original film.

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It is pretty derivative of the first film, which is amusing, since The Mummy itself was a rip off of the Indy Jones movies and every cheesy Saturday afternoon serial ever made. The Mummy Returns is a lot of fun, although that doesn't necessarily make it a great movie. This mismatched crew must once again banish the Mummy - this time, along the way they will battle legions of resurrected undead, survive multiple high-speed chases, pilot a giant hot-air balloon and even defeat a band of little CGI pygmy mummies.

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Also along for the ride is Evelyn's brother Jonathan (John Hannah, always great comic relief), plus Oder Fehr as Ardeth Bay, a vengeful warrior with his own agenda.

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But when the remains of the Mummy are sent to a museum in London, a series of events will once again bring the Carnahans face-to-face with their old adversary. Timid adventurer Richard O'Connell (Brendan Fraser) and Evelyn Carnahan (Rachel Weisz) are now married with child (Freddie Boath), but still like to spend their time chasing down ancient artifacts and other fun family diversions. The tale begins with a prologue about the Scorpion King (The Rock) being awakened by the mummy-with-a-funny-name, the high priest Imhotep (Arnold Vosloo) and his bride-to-be (firecracker Patricia Velasquez). Typical of most desperate to please sequels, the plot of The Mummy Returns is a bit over-pumped. They make a great trio, and (along with Vosloo's imposing Imhotep) rescue The Mummy from complete digital immolation. And Hannah is great with his one-liners, which come off as genuinely smart and witty. I also admired how Weisz turns her beauty into an asset, turning Evelyn into a repressed bookworm type rather than just another variant on the standard, ravishing James Bond-type babe. He's closer to the bumbling Jack Burton that Kurt Russell created in John Carpenter's cult classic Big Trouble in Little China than the cool and composed Indy - and he's all the more likable because of it.

Fraser himself is a fun hero - though he's physically molded to bear more than a passing resemblance to Indiana Jones, Fraser wisely plays him almost as a buffoon. Thankfully, the cast really saves The Mummy from Sommers' relentless overkill, providing the film with its only semblance of human warmth and emotion. That makes The Mummy the real precursor to today's anything-goes CGI era, as typified by George Lucas' dreadful Star Wars prequels and Sam Raimi's Spider-Man franchise. This is a far cry from early digital-assisted pics like Jurassic and even Cameron's Titanic, which felt more like flesh-and-celluloid creations with a few CGI bits thrown in. Even the film's locations and sets seem pumped up and artificial, with backdrops painted on with CGI goo and half the props appearing to have been created by computer. Sommers' barrage of CGI effects is almost non-stop, with nary a scene that doesn't seem to end prematurely, as just another prelude to bigger action spectacle to come. Sommers is a director who seems blissfully ignorant of the word 'restraint.' Though critics often cite T2 and Jurassic Park as being all digital flash at the expense of substance, compared to The Mummy they are intimate chamber dramas. Rick, Evelyn, and Jonathan, along with a rival group of careless American adventurers, must now do battle with the ancient foe and save mankind from Imhotep's reign of destruction. But now Imhotep is free from his eternal prison, and he's mighty pissed off. Seems the high priest Imhotep (Arnold Vosloo) once started a forbidden relationship with Anck Su Namun (Patricia Velasquez), mistress to the Pharaoh Seti (Aharon Ipale), and paid dearly for it.

Assigned to an archaeological dig at the ancient Egyptian city of Hamunaptra, things start to get complicated when, along with the brother-sister team of beautiful Egyptologist Evelyn (Rachel Weisz) and wisecracking Jonathan Carnahan (John Hannah), O'Connell unleashes a centuries-old curse. Brendan Fraser stars as the hapless Richard 'Rick' O'Connell, an American serving in the French Foreign Legion. The basic plot of The Mummy should come as no surprise to anyone familiar with the iconic monster first made famous in Universal's horror yarns of the 1930s, although here he is given a bit of a postmodern spin.